You're Wondering If I'm Lonely

For months, Adrienne Rich's The Fact of a Doorframe has been sitting on my shelf, waiting until it was time to study Rich in my Modern Poetry class. I skimmed the book once or twice and decide Rich is not for me. Well, the time has come to study Adrienne Rich, and I have to say I was sorely mistaken that Rich is not for me. Her work is something impressive! I love her charged her imagery is, how passionate her passages can be, and how bold the body of work is.  

This is the young Adrienne Rich.

You most often see images of her in her later years, but I think

I can relate with this younger woman better.

Image found at http://poetry4u.net

The fact of a Doorframe is a good introduction to Rich, as it presents poetry spanning half a century from a dozen different books. It is interesting to see her work progress as the reader moves chronologically through the segments of each book.

I have not read enough to give a comprehensive recommendation, but tonight, I'd like to offer just one, "Song." I had to read through that final stanza a few times, trying to wrap my mind around the imagery presented. Please, I beg of you, try reading this poem out loud.

"Song"
Adrienne Rich

You're wondering if I'm lonely:
OK then, yes, I'm lonely
as a plane rides lonely and level
on its radio beam, aiming
across the Rockies
for the blue-strung aisles
of an airfield on the ocean.

You want to ask, am I lonely?
Well, of course, lonely
as a woman driving across country
day after day, leaving behind
mile after mile
little towns she might have stopped
and lived and died in, lonely

If I'm lonely
it must be the loneliness
of waking first, of breathing
dawn's first cold breath on the city
of being the one awake
in a house wrapped in sleep

If I'm lonely
it's with the rowboat ice-fast on the shore
in the last red light of the year
that knows what it is, that knows it's neither
ice nor mud nor winter light
but wood, with a gift for burning.

Brautigan, Again

Tonight, trying to find which Brautigan poem I wanted to share, I stumbled on a gold mine. Brautigan Bibliography and Archive is an awesome resource I have only begun to touch.

Below is a nibble of Brautigan. Also, check out other poems of Brautigan I've posted in the past. If you like what you see, check out the above posted website.

"Alas, Measured Perfectly"

Richard Brautigan

Saturday, August 25, 1888. 5:20 P.M.
is the name of a photograph of two
old women in a front yard, beside
a white house. One of the women is
sitting in a chair with a dog in her
lap. The other woman is looking at
some flowers. Perhaps the women are
happy, but then it is Saturday, August
25, 1888. 5:21 P.M., and all over.

Click here to listen to recordings of Brautigan reading his poetry. Scroll towards the end until you reach Side 1, number 6 to listen this particular poem in a collection with others. Brautigan doesn't sound at all like he thought I did. Also, the recording is slightly distorted, but still, how incredible is it to hear the words of the poet from the poet himself?


Brautigan's work is almost entirely out of print. However, cheap used copies are available on Amazon. When I get a little extra cash, I think it would be a very worthy investment for my library. I've gone through a love/hate relationship with Brautigan, but now I must simply consent to love.

P.S. This is my 99th post! 9 being my eternally lucky number, this is a particularly good day!

Apologies Dear Reader

Sorry to be neglectful of this dear little blog.

I have just been having so much fun with a new project,

365 Days of Twenty.

Please, check it out. Hope you enjoy.

But alas, don't worry. I am still an avid poetry lover.

What am I reading these days? Well, in a class I'm taking I've been examining the works of Elizabeth Bishop, Adrienne Rich, Wallace Stevens, and William Carlos Williams.

But, these last couple nights, I've been feeling a little blue and I can't help but turn to old favorites, particularly Edna St. Vincent Millay and Richard Brautigan.

Who are your particular favorites? And what are you reading these days?

Forgive me, its a quarter to two in the morning, but I promise to share poetry soon. Tomorrow? Its a deal.

Bright Star

Hey poetry lovers, I think you'll enjoy this beautiful new film, detailing the love story of the poet John Keats and his "bright star," Fanny Brawne.

What a breathtaking story of poetic romance.
Watch. Weep. Love.

Wing by Wing

We have recently begun to study William Carlos Williams in Modern Poetry. I think he is a poet I shall quite enjoy. Rather than offering a deep interpretation of his work, tonight I simply offer a bit of Williams for you to enjoy.

Aux Imagistes

William Carlos Williams

I think I have never been so exalted
As I am now by you,
O frost bitten blossoms,
That are unfolding your wings
From out the envious black branches.

Bloom quickly and make much of the sunshine
The twigs conspire against you
Hear them!
They hold you from behind

You shall not take wing
Except wing by wing, brokenly,
And yet—
Even they
Shall not endure for ever.

Photo by: Valerie Owens

Poetry 180

Last year, Santa Claus, or maybe my mother gave me the terrific gift of a book entitled, Poetry 180. This book is actually a printing of a fabulous project also called Poetry 180 which offers a poem a day for American high school students. The project is the work of Billy Collins, former Poet Laureate of the United States. Collins started the project in hopes of creating a turning back, a 180, if you will, to poetry, an art so often forgotten in these days. For more about the project, click here.

Today, I'd like to post just one of the poems of Poetry 180. The poem is by Ted Kooser, whose project American Life in Poetry, I highlighted in my last post. Hopefully, by highlighting a few of the phenomenal poetry projects out there, I can perhaps encourage a few more people into incorporating poetry into their daily lives. Also, its a good example of just what the Poet Laureate of the United States actually does. We live at an age where poetry is perhaps more accessible that it has ever been. Why not take advantage of it?

Selecting a Reader

Ted Kooser

First, I would have her be beautiful,
and walking carefully up on my poetry
at the loneliest moment of an afternoon,
her hair still damp at the neck
from washing it. She should be wearing
a raincoat, an old one, dirty
from not having money enough for the cleaners.
She will take out her glasses, and there
in the bookstore, she will thumb
over my poems, then put the book back
up on its shelf. She will say to herself,
"For that kind of money, I can get
my raincoat cleaned." And she will.

from Sure Signs, 1980
University of Pittsburgh Press, Pittsburgh, Pa.

American Life in Poetry Project

I recently stumbled upon a fabulous project, American Life in Poetry. The project, a pet child of Ted Kooser, is aimed at promoting poetry. Each week, a new poem is posted. I have three main reasons to love the project:

1. It's free!
2. The poems are brief!
3. It's contemporary poetry from all ranges and talents of poets; anywhere from a 12 year old beginner to a budding college student to a middle aged old pro.

Below, I have posted the link as well as the column of one week. Feel free to check out the project for yourself. And forgive me if I post a few more of these poems. I, for one, am a fan!

Self-Portrait by Zozan Hawez : American Life in Poetry

American Life in Poetry: Column 198

BY TED KOOSER, U.S. POET LAUREATE

This column has had the privilege of publishing a number of poems by young people, but this is the first we’ve published by a young person who is also a political refugee. The poet, Zozan Hawez, is from Iraq, and goes to Foster High School in Tukwila, Washington. Seattle Arts & Lectures sponsors a Writers in the Schools program, and Zozan’s poem was encouraged by that initiative.


Self-Portrait

Born in a safe family

But a dangerous area, Iraq,

I heard guns at a young age, so young

They made a decision to raise us safe

So packed our things

And went far away.

Now, in the city of rain,

I try to forget my past,

But memories never fade.

This is my life,

It happened for a reason,

I happened for a reason.

American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Poem copyright ©2007 by Seattle Arts & Lectures. Reprinted from “We Will Carry Ourselves As Long As We Gaze Into The Sun,” Seattle Arts & Lectures, 2007, by permission of Zozan Hawez and the publisher. Introduction copyright © 2009 by The Poetry Foundation. The introduction's author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006. We do not accept unsolicited manuscripts.

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Collections

10 Things I Have Collected In my Past (And some in the present)

1. Quotes: I have pages and pages of quotes on every topic imaginable. I don't know what it is I love so much about quotes. Perhaps it is the view of a quote as the best possible use of a sentence.
   
2. Book lines: You know those lines that you hit when reading a novel that just wow you? Those lines that linger on your mind after you've put the book down? I write those down in a small book. I'm selective in my book lines. It's got to really be something to make it into my book.
   
3. Books: There are few things I love more than books. I am not a particular fan of buying new books, and not just because of the cost. There is a certain thrill in finding the well-loved book you've been searching for amidst cluttered shelves of used books. It is nice to know someone else loved the book once too (or at least I'd like to believe). I am picky about my books. I want my shelves to be filled with books I have not only read, but loved. It's a beautiful lifetime project.
   
4. Rocks: What child didn't collect rocks? And with my father being a geologist, it was my fate. I was always pretty choosy when it came to my rocks. Nothing boring or ordinary in my collection. I think I've still got my rocks on a shelf somewhere. Thinking back now, I realize the best ones were probably actually discovered by my dad, who was kind enough to let me claim them. Parents are great.
   
5. Sea shells: I still collect sea shells. Since I've been to the beach so little, the few shells I have are memories of good times. In my collection I also have a few collected by good friends, and those mean even more.
   
6. Stickers: As a child I loved, loved, loved stickers. The odd thing is I never actually did anything with my stickers. I found stickers to be messy and difficult to remove when off of their original sheet. So, I just had pages and pages of unused stickers. Long after my collecting days were over, I eventually used my stickers in craft projects with kids. I gave some away to kids I babysit, and some to a friend's little sister who collects stickers. What was the appeal of those things?
   
7. Erasers: Another really odd childhood obsession of mine. I actually did use the erasers. I wonder what happened to all of those... I think I donated them to a thrift shop or gave them away to some little kids. The stupidest one I owned was an enormous pink eraser that read, "My Dad Never Makes Mistakes. This Is only A Paperweight." I didn't know what a paperweight was. I'm finicky about erasers. So many are too rubbery or leave unattractive streaks across the page. For years I have preferred the soft pink erasers found atop a good Ticonderoga #2. They don't call them The World's Best Pencil for nothing.
8. Butterfly hair clips and assorted hair accessories: I was a victim of the nineties. I plead silence.
9. Stuffed animals: I had the whole dang animal kingdom. There are still teddy bears on my bed (great to cuddle with). My favorite stuffed animals are in a drawer in my closet. Someday, they'll go to my kids. ]
10. Barbies: Raise of hands please, who hates the Bratz dolls?
    

What is it about human nature that compels us to collect?

Poetic Snippets

Snippets, because who says you have to like the whole poem?

From "Song of Myself"
Walt Whitman

Loafe with me on the grass, loose the stop from your throat,
Not words, not music or rhyme I want, not custom or lecture, not even the best,
Only the lull I like, the hum of your valved voice.

From "Why Regret?"
Galway Kinnell

Doesn't it outdo the pleasures of the brilliant concert
to wake in the night and find ourselves
holding hands in our sleep?

Yeah. That's all for tonight.

Something in me...

Millay tonight, because I'm in the mood. This is a particular favorite of mine--primarily the first two stanzas. I have often felt that urge to get out, to go, anywhere, just go. I always return. Unlike Millay, I have no romantic notions of a lonely death. I never desire not to return home. I only need an hour or so alone. My preferred method of transportation is the car, as it is the fastest way to escape the city. But this fall I am without a car. The roads are calling to me and I am itching to drive, to explore, and to go. For now, I retreat on foot to the groves and gardens nearby, grateful for trees, river, and the solitude.

Photo by: Valerie Owens

Departure

by Edna St. Vincent Millay

It's little I care what path I take,

And where it leads it's little I care;

But out of this house, lest my heart break,

I must go, and off somewhere.

It's little I know what's in my heart,

What's in my mind it's little I know,

But there's that in me must up and start,

And it's little I care where my feet go.

I wish I could walk for a day and a night,

And find me at dawn in a desolate place

With never the rut of a road in sight,

Nor the roof of a house, nor the eyes of a face.

I wish I could walk till my blood should spout,

And drop me, never to stir again,

On a shore that is wide, for the tide is out,

And the weedy rocks are bare to the rain.

But dump or dock, where the path I take

Brings up, it's little enough I care;

And it's little I'd mind the fuss they'll make,

Huddled dead in a ditch somewhere.

"Is something the matter, dear," she said,

"That you sit at your work so silently?"

"No, mother, no, 'twas a knot in my thread.

There goes the kettle, I'll make the tea."